The film’s visual style is breathtaking. It was shot originally in color and processed in black-and-white, creating a rich, gleaming chiaroscuro of wartime Paris’ cobblestone streets, lampposts, back alleys, rooming houses, barrooms and butcher shops of wartime Paris. — Pamela Zoslov

Although the characters must remain in the shadows on their journey, A Pig Across Paris proves that perhaps the best way to elucidate on a country’s troubled, dark epoch is to use comedy and performance to provide the light. — Nick McCarthy

Un geste de fureur, un crachat d’anar de droite. Certes, c’est aussi très drôle. — François-Xavier Lacaille

— Tout ça est trop con.
— Qu’est-ce qui est trop con ?
— Est-c’que j’sais… Toi, moi. Leur guerre. Et puis le reste.