Umberto Lenzi’s Superseven chiama Cairo, which introduces his secret agent Martin Stevens, aka Superseven, finds its obvious inspiration in the commercial success of the 007 series, and to a point it is faithful in including those elements which are easily replicated without the necessary style or craftsmanship to which the Bond franchise, up to that point, had become recognized: the global location hopping to picturesque backdrops; the constant supply of beddable shapely women, at least one of whom is an agent working for the forces of wrongdoing; and an archvillian whose modus operandi is to openly blab his plans to the hero while failing to dispatch him, necessitating a prolonged series of chases, recaptures and incidents of increasingly absurd endangerment. — Chandler Swain