Something tells me there’s a story behind the filming and editing of “Flight of the Intruder.” Why is it smart at some times and dumb at others? Why are such large lapses of consistency allowed in the characters? Why are some scenes tough and others corny? Why does the editing seem so distracting at times? The movie feels like a project that was pulled one way during the filming, and another way during post-production. The result is some good stuff surrounded by a mess. — Roger Ebert