Told in a day by day account, we follow the titular platoon who got ordered to abandon their fortified position in order to retreat southwards, but little do they know that once out of their comfort zone, they’re plunged right into warfare with the enemy Vietminh soldiers hot on their heels, turning into a cat and mouse pursuit of trying to gain the upperhand against the enemy rather than to constantly be on the run. It’s the time where the winds of change in Indochina see the Viet Minh soldiers relentlessly pushing the French troops from their soil, even urging their brothers on the side of the French to mutiny and betray their Caucasian commanders, who are headed by quite the inept military commander lacking savvies of warfare. Its portrayal of war is something that only those who have gone through warfare or at least some basic military training will be able to ascertain how accurate things got portrayed, from the fullpack inspection (which uncovered a tied up piglet!) to how commanders aren’t sometimes the most experienced or smart on the battlefield, with the warrant officers, specialists and men, in this case, the locals, being shown to have more courage, loyalty and all round shrewdness in fighting an non-fightable war given being grossly outnumbered to begin with. Many situations put on screen undoubtedly come from the director Pierre Schoendoerffer having witnessed how it’s conducted and having their fair share of experiences on the battlefield, and this helped to translate authenticity to the movie despite having to shoot in very harsh environments. In black and white which contributed to its very stark, gritty and no nonsense imagery to war and its horrors, The 317th Platoon also takes a look at warfare itself and how it impacts the most immediate soldiers who have to partake in it, following orders to a T in order to survive as a group. Quintessential war film themes like courage and camaraderie also feature prominently, with Coutard’s cinematography putting the audience into the thick of the action as if one of the troops listening to orders, and executing combat movement with the rest. If you’d think Oliver Stone’s Platoon, Brian De Palma’s Casualties of War and Randall Wallace’s We Were Soldiers are some of the best about the Vietnam War put on film, then you surely must get your hands on this to have a go at what would be a presentation outside of Hollywood, and a Franch one at that which served as the pre-cursor of events to everything else aforementioned. Recommended! — Stefan S.