Pierrot Le Fou strings along numerous, brightly-colored visuals of blood, oceans, and the countryside of France with many scenes of our two leads talking in a subversive manner that really shouldn’t work as well as it does. With Godard behind in the camera, and when a pen in his hand, anything goes, but here, he has concocted a masterpiece in observations and societal criticism that doesn’t feel burden by too many half-baked ideas. — Steve Pulaski
— Suffit d’vouloir, Marianne.
— Je veux. Je ferai tout c’que tu voudras.
— Moi aussi, Marianne.